Review

 
The film poster as freeze-frame

The film poster as freeze-frame

John L. Walters

Moving Pictures Painted: 200 Posters from the Golden Age of Egyptian Cinema (CentreCentre, £30) lifts the…
 
Ecological literacy

Ecological literacy

J-P Hartnett

The result of a decade spent ‘formulating a stronger ecological theory for design’, Joanna Boehnert’s…
 
Going off brand

Going off brand

Rick Poynor

Jason Grant and Oliver Vodeb’s uncompromising handbook of theory and action ends slyly with a…
 
Graphic friction

Graphic friction

Jeremy Leslie

This new book oozes friction. It has been produced to be enjoyed as a visual experience beyond a mere taxonomy of work.

 
Bad but good but …

Bad but good but …

Quentin Newark

‘Wave: Currents in Japanese Graphic Arts’ is a collection of ‘graphic arts’ with no typography. Tanaami…
 

Hockney asks the scientific question: ‘How?’

John L. Walters

‘The Great Wall’, four-page gatefold from Secret Knowledge. After all the rhetoric expended upon new collaborations…
 
Read this space

Read this space

John L. Walters

Catherine Griffiths: Solo in [ ] Space by Zhihua Duan with Catherine Griffiths is ostensibly the…
 
Fontstand 2022

Fontstand 2022

Simon Esterson

It was a Dutch train strike, rather than Covid-19, that threatened to disrupt Fontstand’s in-real-life event…
 
Ramp up the key strokes

Ramp up the key strokes

John L. Walters

Keith Armstrong (1950-2017) aka ‘ruhuman’, earned a reputation for his typewriter art while still in his teens.

 
Another world is possible

Another world is possible

Aggie Toppins

Design’s unsettled relationship to capitalism is nothing new. From the ‘First Things First’ (see Eye…
 
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