Review

 

Björk’s slow-drip app

John Warwicker

Any new medium attracts the inquisitive mind. If that mind is as idiosyncratic and fertile…
 

Seeds of digital romanticism

Mark Webster

Matt Pyke is a renowned English artist and designer who works at the forefront of…
 

Logos without words

Garech Stone

Despite the soft cover, this book by Angus Hyland and Steven Bateman is anything but…
 

Room with a collective view

Luke Pendrell

To launch the fifth issue of their eponymous publication, the Le Gun collective (see ‘Garage…
 

On the barricades

Fíacha O’Dubhda

The posters produced by the Atelier Populaire are weapons in the service of the struggle…
 

Love letters

John L. Walters

Scripts, with a jazz-like mix of virtuosity and improvisation, can represent many things, from intimacy…
 

A Modernist’s voyage of discovery

Jessica Jenkins

The Design Museum’s Wim Crouwel retrospective offers a voyage of discovery into form-making – the…
 

Taking a scalpel to the dictators

Steven Heller

John Heartfield is credited with having invented ‘political photomontage’ but an equally prolific fotomonteur was…
 

Brodovitch’s encore

Simon Esterson

In 1945, the small New York publisher J. J. Augustin published, in an edition of…
 

Divided along historical lines

Alexander Ecob

There is a strong similarity between geography and chronology. Both are concerned with order, with…
 
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