Review

 

Smash hits and sound gardens

Henry Miles

Exhibitions of ‘sound art’ run the risk of providing little visual interest and too much overlapping…
 
Like the 1980s never happened

Like the 1980s never happened

Phil Baines

In 1987, Gert Dumbar won the D&AD gold award and two groups of his Royal…
 

Urgent images

Eye editors

Is there a more unstable and ephemeral medium for creative communication than thermal fax paper…
 

Qwerty

Jim K. Davies

The driving force behind Qwerty – all A7 of it – is Stephen Banham, a…
 

Could this be the death of the dot?

Simon Esterson

How can you make a picture look its best on the printed page? In recent…
 
Type paintings of a digital artist

Type paintings of a digital artist

Phil Baines

What should have been a celebration of a body of work of great merit and interest has been done a disservice.

 

Font pirates and price-cutters

András Benedek

‘The typeface market is entering its most challenging phase … there will be blood on…
 

All we lack now are the clients

Margo Rouard-Snowman

Set up in 1966, the Warsaw International Poster Biennale was the first major international showcase…
 
A world of shape and flat colour

A world of shape and flat colour

Paul Rennie

The recent exhibition of Tom Eckersley’s posters was the most comprehensive retrospective of his contribution…
 

Lift and Separate

Eye editors

Before she left her position as curator of the Herb Lubalin Study Center, New York…
 
< First  < 65 66 67 68 69 >  Last >