Review

 

Type design with a straight face

Sebastian Carter

The title of this sumptuous book is a surprise. Despite Matthew Carter’s much-reported encounters with travelling…
 

Reflections of a typographer

Matthew Carter

Like a number of words used by typographers, ‘modern’ can mean more than one thing. Two…
 

When media worlds collide

William Owen

Hypertext is the communication media’s equivalent of cold fusion. It is one of those fuzzy…
 

Pictorial Maps

Richard Saul Wurman, publisher of the Access city guides and information design guru, does not much…
 

Green images

Margaret Timmers

During the Second World War, the civilian population was regularly exhorted by the British Government…
 

Precision of a purist

Margo Rouard-Snowman

Jean Widmer is a rare instance of a Swiss graphic designer who gets little publicity…
 

Safety pins and Letraset

Teal Triggs

In recent years, the work of several British graphic designers has been elevated from the…
 

A tradition of departure

Leslie Sherr

The United States’ cultural institutions have much to learn from the Netherlands. This was one…
 

Laughter, the best medicine

James Beveridge

My eyes were opened to humour in design in the early 1970s when I went to…
 

A century of magazine

Pearce Marchbank

The magazine is the key print medium of the twentieth century. It occupies that void…
 
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