Review

 
Seaside splendour

Seaside splendour

Justin Burns

Eclectic, yet streamlined by design. It is perhaps unsurprising that Art Deco is associated with…
 
Gender imbalance

Gender imbalance

Anna Lisa Reynolds

Within the design publishing landscape, type-focused titles abound, yet type designed by women remains proportionally under-represented…
 
Cinematic storyteller

Cinematic storyteller

Mark Porter

David King: Designer, Activist, Visual Historian is an enthralling visual document of King’s work from his student experiments to the groundbreaking visual histories of his later years …

 
One hundred years new

One hundred years new

Richard Hollis

Jeremy Aynsley’s Graphic Design in Germany 1890-1945 was published almost twenty years ago. Professor Rössler’s…
 
The advocacy of Tschichold

The advocacy of Tschichold

Doug Clouse

As Paul Stirton, the curator of ‘Jan Tschichold and the New Typography’ readily admits, his…
 
Where was Weimar?

Where was Weimar?

Alex J. Todd

The era of the Weimar Republic, which emerged in Germany in the wake of the…
 
Design odyssey

Design odyssey

John L. Walters

Stanley Kubrick (1928-99) has long been the ultimate designers’ director, a man who presided over…
 
In search of dialogue

In search of dialogue

John-Patrick Hartnett

The Design Observer (DO) blog was launched in 2003 by William Drenttel, Jessica Helfand, Michael…
 
One lifetime is not enough

One lifetime is not enough

Aileen Kwun

If you are not familiar with the joyous work of designer Gere Kavanaugh, one look…
 
Who cares if you read?

Who cares if you read?

Adrian Shaughnessy

David Carson is indelibly linked to the notion of the ‘end of print’, encapsulated by…
 
< First  < 7 8 9 10 11 >  Last >