Eye Magazine

Feature

Eye Type reviews 106. Take six fonts

Mark Thomson, Indra Kupferschmid, Silvia Sfligiotti, Dan Reynolds

A snapshot of contemporary type design, with half a dozen reviews by Mark Thomson, Indra Kupferschmid, Silvia Sfligiotti and Dan Reynolds

Anita Klinz: The first Italian art director

Luca Pitoni

Over two crucial decades at Mondadori, designer Anita Klinz transformed the look of Italian book publishing. Luca Pitoni tells her story

Reputations: Sharp Type, Chantra Malee and Lucas Sharp

John L. Walters, Simon Esterson, Eye editors

Lucas Sharp: ‘The only thing keeping me excited about being in this industry, and doing this work, is the stuff I have yet to draw.’ Chantra Malee: ‘We could have sold the entire foundry but ... what are we supposed to do for the rest of our lives?’ [EXTRACT]

The quiet confidence of Tomoko Miho

Elizabeth Resnick

The influence of three continents underpins the meticulous work of this underrated Japanese-American graphic designer. By Elizabeth Resnick [EXTRACT]

The creative anarchist

Rick Poynor

Printer, poet, designer and publisher Dennis Gould interweaves the personal with the political in his clamorous, intuitive letterpress work. By Rick Poynor.

The power of physical books

Mark Sinclair

Sonya Dyakova has a way with words, ideas, space and type. By Mark Sinclair

Artificial idiot: Puzzling answers to nonexistent questions

Marian Bantjes, Eye editors

Jonathan Hoefler experiments with AI to create what he calls ‘Apocryphal Inventions’. By Marian Bantjes / Eye Editors

Artificial idiot: Deep fake, pink fake

Marian Bantjes, Eye editors

Pum Lefebure’s Design Army made AI ‘space tourism’ landscapes for an adventurous client. By Marian Bantjes / Eye Editors

Artificial idiot: Pegasi, people and golden warriors

Marian Bantjes

Marian Bantjes makes collages using multiple AI images

Artificial idiot