Blog: Graphic design

19 November 2012

Broadway the art way

Broadway the art way

Tate Modern’s two-part retrospective juxtaposes two artist-photographers: William Klein and Daido Moriyama.
The Tate Modern’s exhibition ‘William Klein + Daido Moriyama’ is introduced with projections of primary…

15 November 2012

Back of the net

Back of the net

Give a big hand for Howler, a confident, upmarket print magazine for US soccer fans.
Howler is a ‘a print quarterly for North American soccer enthusiasts’ edited by George Quraishi…

14 November 2012

Jazz in print

Jazz in print

Matt Willey’s sumptuous brochure for UK radio station JazzFM evokes a golden age of magazine and LP sleeve art direction.
Jazz and radio came of age around the same time, the 1920s, when ‘physical music’…

13 November 2012

Type in Wapping

Type in Wapping

Pencil to Pixel opens up Monotype’s archive of typographic history, from artwork to artefacts
The ‘Pencil to Pixel’ exhibition, which opens this Friday at Metropolitan Wharf in London, gives…

7 November 2012

Something to say

Something to say

The current vogue for letterpress is more than mere retro-nostalgia, writes Catherine Dixon in the run-up to Friday’s St Bride conference.
Letterpress is everywhere, writes Catherine Dixon (co-organiser of ‘Letterpress: Something to Say’). Once a boutique…

5 November 2012

What are they thinking?

What are they thinking?

politics, vernacular

These unique, plebeian graphic executions – ephemeral, often questionable lawn signs – embody the US Constitution’s First Amendment guarantee of free speech, says Mike Kippenhan.
In the United States, automobile bumper stickers and lawn signs are the preferred way of…

2 November 2012

Graphic design history to boot

Graphic design history to boot

Everything must go when Ian Anderson sells off the contents of The Designers Republic (TDR) archive in its Car Booty Affair in Sheffield.
At what point does the ephemera that is graphic design become collectable? When does a…

1 November 2012

Common ground: a designer’s letter from Venice

Common ground: a designer’s letter from Venice

stencils

John Morgan explains the thinking behind his visual identity for the 13th Architecture Biennale in Venice (director David Chipperfield).
The Venetian stencil street signs or nizioletti don’t prevent you from getting lost in the…

31 October 2012

The men with a movie poster

The men with a movie poster

Eighteen works by the Stenberg Brothers (Vladimir & Georgii), including five original designs for posters, go under the auctioneer’s hammer on 1 November 2012.
In the wake of the Christie’s sale of London Transport posters (see ‘The purpose of…

29 October 2012

Giants of the visual imagination

Giants of the visual imagination

While others struggle with ‘personal expression’, the Vignellis prove that a simple approach and focus makes great design, writes Quentin Newark.
Quentin Newark writes: As I was designing the catalogue for the Tate Modern exhibition ‘Albers…
 
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