Blog: Graphic design
19 September 2020
Crouwel’s institutional intuition
On the first anniversary of Wim Crouwel’s death, Alex J. Todd recalls a visit to the Stedelijk Museum exhibition ‘Mr. Gridnik’
On 19 September 2019, nine days before the opening of ‘Wim Crouwel: Mr. Gridnik’ at…
13 September 2020
Systems of nightlife
Over the past five years, Vanja Golubovic and Onlab Geneva have crafted several series of powerful posters for the Berlin techno club Tresor.
By Daniel Melfi
Until the lockdown, Vanja Golubovic and her team designed around twenty flyers each month for…
8 September 2020
Font Li Beirut – harmony in discord
Li Beirut is a unique font – made in a week by 160 type designers – to support victims of last month’s Beirut blast. Nadine Chahine writes for Eye about her Letters of Hope project
On Tuesday 4 August 2020, villages and towns to the north, east, and south of…
4 September 2020
Artificial sunshine
Illuminated lettering signals entertainment and escapism by the sea. The fifth in Justin Burns’s series about coastal graphic design
If we take away the bright lights is there a place? The Blackpool Illuminations first…
1 September 2020
David King: Ranged Left!
Eye’s next Type Tuesday, ‘David King: Ranged Left!’ will celebrate the life and work of David King (1943-2016)
Please join us for the next Type Tuesday at 6pm (British Summer Time) on…
30 July 2020
A matter of (sour) taste
The Slavs and Tatars collective makes satirical exhibitions and installations that use pickling as a metaphor. By Gabriela Matuszyk
‘Pickle Politics’ is an eight-work cycle from collective Slavs and Tatars, writes Gabriela Matuszyk. For…
20 July 2020
Pier review
Decorative typography and lettering evoke the halcyon days of the British seaside. The fourth in Justin Burns’s series about coastal graphic design
Lettering, typography, and accentuated three-dimensional signs dominate the British coast, writes Justin Burns. The bright…
15 July 2020
Fill the white space
‘À propos’, Anette Lenz’s first major exhibition in her homeland, is an immersive, virtuoso response to Richard Meier’s MAK building in Frankfurt. By Jan Middendorp
After a two-month Covid-related delay, one of the most remarkable exhibitions of a contemporary graphic…
6 July 2020
Say their names
In the weeks following George Floyd’s death, Minnesota’s Twin Cities filled with graphic expressions of rage, mourning, solidarity and hope. By Steven McCarthy
In the wake of George Floyd’s unwarranted death at the knee of a Minneapolis police…
26 June 2020
Every Eye ever
A display of every edition of Eye from 1 to 100 turned magCulture into a surreal cross between gallery and newsagent, complete with masked customers. Art director Simon Esterson reports
On Thursday 18 June 2020, Jeremy Leslie was keen to celebrate customers being able to…