Blog: Design history
13 January 2013
Back on the market
Prewar posters from the legendary collection of Dr Hans Sachs will soon go on sale at a New York auction house
A sale of 1250 prewar posters from Dr Hans Sachs’s legendary collection will take place…
7 January 2013
The power of chess
Chess – the gymnasium of the mind – is a perennial source of inspiration for designers, film-makers and artists, says Jim Sutherland
It’s no wonder chess holds such a fascination for artists, film-makers and designers, writes Jim…
10 December 2012
Sun-cheese wheel-ode
Dom Sylvester Houédard’s 1968 concrete poetry tribute to fellow poet Ken Cox is a double spiral of hand-set type, mysteriously linked by the sport of cheese rolling. Fraser Muggeridge explains.
The letterpress printed concrete poem designed by Dom Sylvester Houédard first caught my interest because…
13 November 2012
Type in Wapping
Pencil to Pixel opens up Monotype’s archive of typographic history, from artwork to artefacts
The ‘Pencil to Pixel’ exhibition, which opens this Friday at Metropolitan Wharf in London, gives…
7 November 2012
Something to say
The current vogue for letterpress is more than mere retro-nostalgia, writes Catherine Dixon in the run-up to Friday’s St Bride conference.
Letterpress is everywhere, writes Catherine Dixon (co-organiser of ‘Letterpress: Something to Say’). Once a boutique…
2 November 2012
Graphic design history to boot
Everything must go when Ian Anderson sells off the contents of The Designers Republic (TDR) archive in its Car Booty Affair in Sheffield.
At what point does the ephemera that is graphic design become collectable? When does a…
31 October 2012
The men with a movie poster
Eighteen works by the Stenberg Brothers (Vladimir & Georgii), including five original designs for posters, go under the auctioneer’s hammer on 1 November 2012.
In the wake of the Christie’s sale of London Transport posters (see ‘The purpose of…
29 October 2012
Giants of the visual imagination
While others struggle with ‘personal expression’, the Vignellis prove that a simple approach and focus makes great design, writes Quentin Newark.
Quentin Newark writes: As I was designing the catalogue for the Tate Modern exhibition ‘Albers…
10 October 2012
The magazine that wasn't
Aspen, the cultural journal that challenged the limits of its form, goes on display at Whitechapel Gallery in London
To read an edition of Aspen magazine is to flip through a booklet, unfurl a…
3 October 2012
The purpose of posters
London Transport’s spare posters go under the hammer at Christie’s tomorrow.
‘Of course it's not about graphic design,’ said my friend, glancing at the high proportion…