Feature: Graphic design

 
Everyday people

Everyday people

Emma Thomas and Kirsty Carter’s Apfel, A Practice for Everyday Life, brings design into the art world, and makes design an art
 
Business at the centre

Business at the centre

An interview with Sascha Lötscher, managing partner of G+A
 
Fritz Gottschalk and the Swiss-Canadian connection

Fritz Gottschalk and the Swiss-Canadian connection

Gottschalk + Ash International spans more than five decades, a Swiss design studio with Modernist roots in Northern Europe and North America. Eye went to Zürich to meet the people behind the practice
 
Designing with urgency

Designing with urgency

From politics to culture to business, Dutch studio Thonik strikes a balance between adventurous concepts and pragmatic resolutions
 
Art and ambiguity

Art and ambiguity

The identity for Venice Biennale Arte 2019, designed by Melanie Mues, distorts type across a colourful three-dimensional grid
 
News cycle

News cycle

Italian designer Francesco Franchi brings magazine finesse to the world of daily newspapers
 
The enigma of Thérèse Moll

The enigma of Thérèse Moll

This young designer is credited with introducing Swiss typography to MIT
 
Strategy of excess

Strategy of excess

Like a human algorithm, Hansje van Halem explores a huge number of variables until she finds the right ‘recipe’ for each project
 
Two cheers for publishing

Two cheers for publishing

A two-volume book packed with graphic design history is a visual blockbuster, but does little for scholarship. By Rick Poynor
 
Tales from the West Coast

Tales from the West Coast

With its origins in ‘live journalism’ shows, The California Sunday Magazine achieves its narrative power through a cinematic approach to photography and type
 
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