Feature
Typeface/interface
Andrea Tinnes makes type families — functional or ornamental — that quickly acquire a life of their own
Space and rhythm
Type designer Cyrus Highsmith learnt the craft through both study and apprenticeship. By Jan Middendorp
Back to basics in Basel
Basel School of Design's First Summer Program was a life-changing experience
Remembrance of things past
The renovation of Paris’ oldest métro line reveals traces of a century of billboard advertising
Ugly-beautiful [extract]
The work of one of France’s most original graphic voices bristles with contradictions
Paper offerings for the dead
Paper replicas of consumer objects are burnt as offerings to the dead at Ching Ming
Buy this book
Jürgen Holstein’s volume of rare Weimar-era jackets and covers is an extraordinary labour of love
Sense of place
Three new typefaces for local institutions draw on Sheffield’s cultural and typographic history
Lost worlds
Vernacular photography. Innocence regained? Or just another kind of fiction?
Letter rich Lisbon
Nicolete Gray’s 1960s snaps inspire a re-examination of the capital’s streetscape