Feature
Guilt, abstracted
Nora Krug’s graphic memoir explores the
impact of the Second World War – and the Nazi regime – on German families
Point of difference
Enigmatic imagery and restrained typography give HR membership quarterly Work. the visual personality of an independent magazine
Double vision
Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital age
Liberté, égalité, typography
Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power of expressive type and images
Generation font rent
Fontstand has pioneered an innovative way for graphics students to make work with professional quality typefaces. Jan Middendorp investigates
Radical platform
From its early grassroots days, Spare Rib provided a groundbreaking public arena for women’s issues, opinions and feelings that had previously been sidelined
For the love of food and print
Michele Outland, creative director of Bon Appétit, also co-founded and designs the indie mag Gather Journal. Steven Heller reports
Reputations: David Driver
‘That was the buzz one got about publishing. What do people want? Where are the gaps in the market? You wanted it to push boundaries … give people information that they never possessed before.’ Interview by Martin Colyer
The information graphics
Good data visualisation is vital to effective news publishing, says Simon Rogers
Looking at magazines looking at themselves
Five enormous, lavish books celebrate the achievements of five legendary titles: Harper’s Bazaar, Rolling Stone, New York, The Face and Octavo