Feature

Tales from the West Coast

Tales from the West Coast

Patrick Baglee

With its origins in ‘live journalism’ shows, The California Sunday Magazine achieves its narrative power through a cinematic approach to photography and type
The start-up that stopped

The start-up that stopped

Anne Miltenburg

Over just ten issues, Peter Biľak’s Works That Work sought to rethink design, while exploring new models of distribution and finance
Surfers and divers

Surfers and divers

Anja Neidhardt

An innovative website tells the story of the Palestinian people in their own words, in two languages
This woman’s work

This woman’s work

John L. Walters

Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as comedy and rock’n’roll, is rooted in rigorous typography
The alternative viewpoint

The alternative viewpoint

Alice Twemlow

The magazines in the stable of Jop van Bennekom and Gert Jonkers are as distinctive in their editorial voices as they are in their visual tone and design
Lovable loser

Lovable loser

Marianne Hanoun

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
Pulling back the curtain

Pulling back the curtain

David Crowley

Published by the Communist Women’s League, Ty i Ja [You and I] was an ambitious 1960s title that brought the outside world to its Polish readers
Two-colour haikus

Two-colour haikus

Paul Harpin, John Miles

Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers. John Miles talks to Paul Harpin
Guilt, abstracted

Guilt, abstracted

Steven Heller

Nora Krug’s graphic memoir explores the impact of the Second World War – and the Nazi regime – on German families
Point of difference

Point of difference

Alex J. Todd

Enigmatic imagery and restrained typography give HR membership quarterly Work. the visual personality of an independent magazine
< First  < 13 14 15 16 17 >  Last >