Feature

 
Future projections

Future projections

Saki Mafundikwa

Saki Mafundikwa examines a map that confronts western prejudices
 
One man brand?

One man brand?

Adrian Shaughnessy

Manfred Eicher’s uncompromising artistic vision has always defined the look and feel of ECM.
 
The new breed

The new breed

Mike Dempsey

Alex Bec and Will Hudson, of It’s Nice That, unveil their agency INT Works, grown directly from their roles as editors and curators.
 
Adventures in motion pictures. Narrative arc

Adventures in motion pictures. Narrative arc

John L. Walters

Editorial photographer Lauren Greenfield on the jump from ‘essay form’ to story-telling
 
Adventures in motion pictures. Aerial ballet of upholstery

Adventures in motion pictures. Aerial ballet of upholstery

John L. Walters

Matthew Donaldson’s high-speed ‘still life’ photoshoot with GTF for Kvadrat at Pinewood
 
Illuminated thought

Illuminated thought

John L. Walters

The practice is said to ‘signal a break with the past’ but GTF has an unforced ‘style’ that is impossible to copy
 

Vision of a future that never was

Dinah Casson

This radical, well designed plan sought to turn grimy war-torn London into a Modernist Utopia
 

Reputations: Cal Schenkel

Dan Nadel

‘They were Frank’s identities, and he controlled them … I was really just satisfying these various concepts.’
 
Reputations: Commercial Type

Reputations: Commercial Type

John L. Walters, Simon Esterson

‘There has been typography on the Web for its entire existence, because there are words, and where there are words there is typography … Some people believe that there is going to be a radical change in the process of reading because of webfonts. Actually, no.’
 
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