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Neville Brody

Recent articles about Neville Brody

Graphic frictionIssue 105, Autumn 2023
Review
This new book oozes friction. It has been produced to be enjoyed as a visual experience beyond a mere taxonomy of work.
A tradition with breaksIssue 86, Autumn 2013
Feature

                                            
	Stencil typefaces – late arrivals on the typographic scene – are going in new directions and rediscovering their history.            
Postmodern jam sessionIssue 83, Summer 2012
Feature

                                            
	Jan Middendorp recalls Fuse, the type ‘magazine’ that opened up (and put the lid on) a transient era of adventurous type design from small digital foundries            
Fuse's envelope comes unstuckIssue 16, Spring 1995
Review

                                                The suffix ’94 seems to suggest that the organisers of the Fuse conference expect to…                        
Beyond the canonIssue 68, Summer 2008
Feature

                                            Introduction to special issue by editor John L. Walters            
Fading away before the issuesIssue 41, Autumn 2001
Review

                                                This £400 one-day symposium aimed to instigate ‘an overdue overhaul of the very principles of…                        
Nameless thingIssue 57, Autumn 2005
Feature

                                            Tokyo’s TDC rewards work that transcends means, intention, content, context – and just ‘is’            
Beyond typographyIssue 15, Winter 1994
Feature

                                            
	Fuse’s talented team is on an inspired quest to ‘Make it new!’ But what is the project really about?            
Type paintings of a digital artistIssue 14, Autumn 1994
Review
What should have been a celebration of a body of work of great merit and interest has been done a disservice.
The (layered) vision thingIssue 8, Autumn 1992
Opinion

                                            
	If it has dotted lines, an arrow or two and it’s impossible to read, then it must be ‘postmodern’. Are we using the theory the way it was intended?            
History’s role in the studioIssue 9, Summer 1993
Review

                                                Now in its sixth year, the ‘Modernism and Eclecticism’ symposium organised by Steven Heller in…                        
Stamps and the public interestIssue 9, Summer 1993
Review

                                                Since Rowland Hill’s introduction of the Penny Black in 1840, the postage stamp has been…                        
Reputations: Neville BrodyIssue 6, Spring 1992
Feature

                                            
	‘People are using the computer in a very rigid, pseudo-religious way and we are trying to say that the technology is simply a tool of communication and should be treated as organically as any other tool.’            
Get the message?Issue 3, Spring 1991
Opinion

                                            Legibility is relative. Is it time we broke the tablets of stone? Agenda by Michèle-Anne Dauppe            
Typography’s new priestsIssue 1, Autumn 1990
Review

                                                ‘Type90’ brought several hundred typographically preoccupied people to Oxford this summer. Following the successful pattern…                        
I don’t use a Mac but I know a man who canIssue 13, Summer 1994
Opinion

                                            
	British design has split down the middle. Should its priority be art or analysis, and is the computer a new ‘language’ or simply a tool?
	By Michael Horsham            

Recent blog posts about Neville Brody

Offset 2014: day two

7 April 2014
Graphic design, Illustration, Music design, Typography, Visual culture

Bjørn Rune Lie, Sarah Illenberger, Hingston, Brody, Glaser and Maser. Pam Bowman continues her coverage of the Dublin Offset conference.

Speaker Bjørn Rune Lie began Saturday’s line-up presenting to a surprisingly full theatre, given that…