Feature

 
Artificial idiot: Deep fake, pink fake

Artificial idiot: Deep fake, pink fake

Marian Bantjes, Eye editors

Pum Lefebure’s Design Army made AI ‘space tourism’ landscapes for an adventurous client. By Marian Bantjes / Eye Editors
 
Artificial idiot: Pegasi, people and golden warriors

Artificial idiot: Pegasi, people and golden warriors

Marian Bantjes

Marian Bantjes makes collages using multiple AI images
 
Artificial idiot

Artificial idiot

Marian Bantjes

Unpredictable, cliché’d, wonderful, neither artificial nor intelligent– is AI the dumbest new kid on the block or the future of illustration? Marian Bantjes explores the weird world of text-to-image generators
 
Reputations: Brian Collins

Reputations: Brian Collins

Louise Sandhaus

‘The way I see it, problem-seeking is the yin to the yang of problem-solving. Solving is narrow and practical. Seeking is expansive and brimming with possibility. Solving asks “What’s wrong?” and then tries to fix it. Seeking asks “What if?” and then shows how.’ Interview by Louise Sandhaus [EXTRACT]
 
Heavy rotation

Heavy rotation

Christopher Wilson

From 1977-92, the Album Cover Albums presented a broad spectrum of record sleeve art, unintentionally raising questions about the way graphic design for popular culture is experienced, interpreted and preserved. By Christopher Wilson [EXTRACT]
 
Form and feeling

Form and feeling

John L. Walters

Rudolph de Harak gets the recognition he deserves in a new monograph by Richard Poulin [EXTRACT]
 
Philadelphia freedom

Philadelphia freedom

Steven Heller

Pentagram’s Luke Hayman has given The Philadelphia Inquirer an overhaul. By Steven Heller [EXTRACT]
 
John Randle and his 26 soldiers of lead

John Randle and his 26 soldiers of lead

Simon Esterson

As Matrix comes to a full stop, its doughty founder talks to Eye. Photographs by Philip Sayer [EXTRACT]
 
Jump cuts

Jump cuts

John L. Walters

Motion design is everywhere. The gleaming screens of our phones, TVs and poster sites demand more and more ways to make words and pictures dance in space and time. By John L. Walters
 
Jump cuts: Dirk Koy

Jump cuts: Dirk Koy

John L. Walters

‘It was a kind of experiment between control and coincidence, which is still an important part [of] the process in my work today’
 
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